The impedance (more correctly, "nominal impedance") is really no more than a label which can be attached to a transformer or a winding. The nominal impedance just gives an idea of the impedance of the circuit in which it could be used. If you measure the impedance of the primary winding you will see the "reflected" impedance of the load you connect to the secondary winding.
If the secondary is left unconnected you will measure an impedance which is a function of the primary inductance and of course the result will depend on the frequency of measurement. We normally design transformers so that the measured impedance is about 3 x the nominal impedance at the lowest frequency, typically 20Hz.
"Reflected" means multiplied by the turns ratio squared. For example if you connect a 10,000 ohm resistor to the secondary of a 1:10 step up transformer and measure the input impedance you will measure approximately 10,000 X (0.1 squared) ohms i.e.100 ohms. (This is only approximate because you will need to allow for the primary inductance and the dc resistance of the windings).
You can eliminate the transformer as the cause of the distortion by applying a sine wave at say 500Hz. At this frequency and above the flux swing is minimal so the transformer cannot be saturating. You should also check the dc quiescent current on each side to check the unbalance current is not saturating the transformer. A few mA is ok.
Next you should eliminate parasitic oscillation. You can usually see this on a scope. Some circuits will burst into oscillation at the peaks of the signal and sound and measure very like distortion.
Finally scope the anodes to see if either side is bottoming (anode falling below the grid). This will also limit the power.
1)Ensure the safety ground connecting metal parts of the turntable to the earth pin on the mains plug is connected properly.
2)If there is a grounding lead (usually a single black wire) from the turntable to the chassis of the amplifier make sure this is connected. If so try disconnecting it. If this stops the hum disconnect it. (Not very likely). Do not disconnect this if there is no safety ground as 1) above.
3)Unplug both audio (RCA phono) connectors and turn volume to normal level. If this stops the hum then our type 3575 isolator will probably solve the problem. If just connecting the ground of the phono connector brings the hum back then it is almost certain that a 3575 will work.
3575 has colour coded leads but no connectors. You will have to organise this yourself. You will need two transformers for stereo.
For driving a balanced audio line a center tapped winding is not necessary. In fact a grounded center tap can cause ground loop problems and negate the advantages of the balanced line.
I know this does not quite feel right but what happens is that the signal automatically "floats" and assuming the load is balanced it will automatically balance itself about ground. The point is that "ground" is not really defined and may have noise on it so it is not a good idea to try to force the signal to be referenced to it.
Another advantage of not grounding a center tap is that If the load is unbalanced (i.e. one side is grounded) everything works and the source and load are still isolated from ground noise.
The only situation where you need a center tap is when you are driving a push-pull amplifier stage where the grids of the valves need to be tied to ground.
It is usually because of a grounding problem. Click here for more information
Here are some tips taught to me by my father when I was 10 years old:
1. Strip the wire back about 7 mm. Best to cut the insulation with a hot soldering iron rather than risk breaking some of the strands with a knife or cutters.
2. Make sure the tag and wires are clean
3. Twist the strands together so there are no whiskers
4. Put the wire through the hole in the tag and bend it round so as to make a mechanical joint.
5. Hold the solder on to the joint and apply the iron so solder and flux flows onto the joint
6. Press the iron on to the joint for a few seconds to conduct some heat to the tag
7. As the solder melts push a bit more solder into the joint. This will add some more flux as well.
8. Remove the solder and hold the iron on to the joint just long enough for the solder to flow and get the whole thing hot but not so long that the insulation etc melts. (this is the difficult bit)
9. Take the iron away and blow on to the joint to cool it down.
10. You will have a lovely “wet” joint
11. Search "how to solder" into youtube
I suggest twisting the leads form the transformer to minimize hum pick-up. Twist the two primary leads together and separately the two secondary leads together. Some people put the two transformers in a plastic or die cast box and mount the XLRs on the box. Good luck
OCC means Ohno Continuous Casting. A process for making wire invented by professor Ohno of the Chiba Institute of Technology in Japan.
OCC wire has essentially zero crystal boundaries as well as a very low level of impurities relative to the commercial copper wire we normally use for our products.
You can read more at www.sowter.co.uk/occ.php
As explained we are not making any claims as to possible benefits from using this wire but we are making it available for customers to do their own experimentation. Obviously we are very interested to hear peoples opinions, theories and experimental results.
There is no difference in the construction of CIF and PIF chokes. The difference is the rating because the choke in a CIF has to support ac voltage flux of several hundred volts whereas the PIF choke only has to support ripple voltage.
If you want to use, for example CA15 as a CIF you can do so if you reduce the dc current to say 100 mA instead of 200 mA. You could determine the safe current by experiment. Simply increase the current till the choke makes a buzzing sound. (This is the core saturating) You can increase the safe current somewhat by using a small capacitor e.g.0.1 uF upstream of the choke. This will reduce the buzz and enable you to increase the current. It will also change the dc voltage you get.
Measure the dc resistance between each lead combination. Group leads which are connected. Each group will be a winding. If the winding has more than 2 leads then it must be a tapped winding. Work out which leads are the ends of the winding and which are the taps. Now you have the dc resistance of each winding. Multiply the dc resistance by 10 to 15 and this will give you the approximate nominal impedance. For example if a winding measures 700 Ohms it is likely to be a nominal 10k impedance. Now you have the impedance ratio. You can probably determine if taps are a center tap (CT) or some other tap. Don't expect a CT to be at exactly half the resistance of the whole winding. If the tap is at 20% of the dc resistance it will be at 10% of the impedance.
You cant really check the maximum level by measuring dc resistance except that generally thre higher the impedance, the higher the level capability. You can measure the level capability with a scope but remember it will reduce with frequency.
Mumetal has a very high permeability so it magnetises very easily but it also has a very low reminance which means when the field is removed the "permanent" magnetism is effectively zero (very small compared with the saturation flux density). The core cannot be damaged or permanetly magnetised by applying a dc current.
We have a number of highly respected customers who have observed that the quality of sound associated with Mumetal transformers improves after a period of "burn in". Some customers even have particular pieces of music they use. We do not know of any scientific evidence for this but it is thought that this could be due to a reminance effect or perhaps "conditioning" of the listeners ears or brain.
In order to make a replacement transformer for vintage products we determine the basic parameters e.g. voltage ratio, primary inductance, maximum level and dc resistance together with any dc requirement. We do this by reference to the schematic and the specification of the equipment and valves etc. Where possible we compare these parameters with an actual sample. We use the same core material as the original and the same lamination size if this is available. If not we try to use a larger size.
We do the design based on our long experience going back nearly 75 years and our own criteria for what results in the optimum design for the particular application. Our target is always to have a performance as good as or better than the original particularly with regard to bandwidth and distortion. Obviously we test samples and follow up with the first few customers. We regularly get very positive reports. If there are any issues we ensure the design is updated till the result is as expected.
We quite often get asked if the transformers sound like the original. The answer is definitely yes but bear in mind the characteristic sound is more determined by the circuit itself. If as we hope our transformer is better than the original then we expect it to sound even better than the original.
Please note that the physical size and mounting method may be different to the original.